Hildegard Bingen Scivias Pdf Viewer

Hildegard

Hildegard Bingen Scivias Pdf Viewer

The codex contains nearly all of Hildegard of Bingen’s works, excluding her medical and scientific writings. 16 folios of musical notation (f. Pages with musical notation are divided into two columns with 17 staves per column. Hildegard Bingen Scivias Pdf File. 7/13/2017 0 Comments Scivias is an illustrated work by Hildegard von Bingen, completed in 1151 or 1152, describing 26 religious visions she experienced. It is the first of three works. Cited in King- Lenzmeier, 4. Carmen Acevedo Butcher. Hildegard of Bingen: A Spiritual Reader.

Saint Hildegard Of Bingen

  1. See Andrew Sprague Becker, The Shield of Achilles and the Poetics of Ekphrasis (Lanham, MD: Rowman & Littlefield Publishers, 1995), 13–14, for a clear and concise explanation of Lessing’s meditation on the two arts.Google Scholar
  2. Elizabeth Bergmann Loizeaux, “Ekphrasis and Textual Consciousness,” Word & Image 15 vol. 1 (1999): 76–96. 96.CrossRefGoogle Scholar
  3. Carmel Bendon Davis, Mysticism and Space: Space and Spatiality in the Works of Richard Rolle, The Cloud of Unknowing Author, and Julian of Norwich (Washington DC: The Catholic University of America Press, 2008), 11.Google Scholar
  4. Erwin Panofsky, Studies in Iconology: Humanistic Themes in the Art of the Renaissance (New York: Harper & Row, 1972), 45.Google Scholar
  5. Roberta Gilchrist, Gender and Material Culture: The Archaeology of Religious Women (New York: Routledge, 1994), 192–93.Google Scholar
  6. Bradley Herzog, “Portrait of a Holy Life: Mnemonic Inventiveness in The Book of Margery Kempe” in Reading Memory and Identity in the Texts of Medieval European Holy Women, ed. Margaret Cotter-Lynch and Bradley Herzog, The New Middle Ages (New York: Palgrave-Macmillan, forthcoming 2012).Google Scholar
  7. Barbara Zimbalist, “Imitating the Imagined: Clemence of Barking’s Life of St. Catherine,” in Reading Memory and Identity in the Texts of Medieval European Holy Women, ed. Margaret Cotter-Lynch and Bradley Herzog, The New Middle Ages (New York: Palgrave-Macmillan, forthcoming 2012).Google Scholar
  8. Ernst Robert Curtius, European Literature and the Latin Middle Ages, 3rd edition, trans. Willard R. Trask, Bolligen Series XXXVI (Princeton, NJ: Princeton University Press, 1990), 85.Google Scholar
  9. Barbara Newman, “Poet: ‘Where the Living Majesty Utters Mysteries,’”, Voice of the Living Light: Hildegard of Bingen and Her World, ed. Barbara Newman (Berkeley: University of California Press, 1998), 185.Google Scholar
  10. Please see Murray Krieger, Ekphrasis: The Illusion of the Natural Sign (Baltimore, MD: Johns Hopkins University Press, 1992), for discussions of represented space and time both in the ekphrastic work and its object and in the experience of the viewer.Google Scholar
  11. See Jean Hagstrum, The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray (Chicago: University of Chicago Press, 1987), 40, on the rise in the popularity of enargeia as it was related to the medieval appropriation of “classical pictorialism.”Google Scholar